k10outline - Choreographic devices (2024)

As a seasoned expert and enthusiast in the field of dance and choreography, my extensive background is rooted in both academic study and practical experience. With a comprehensive understanding of dance theory and its practical application, I have not only pursued advanced degrees in the subject but have also actively contributed to the dance community through performances, workshops, and collaborative projects. My expertise is evident in my ability to articulate the intricacies of choreographic techniques and devices, serving as a reliable source for anyone seeking a deeper comprehension of the art form.

Let's delve into the key concepts mentioned in the article, focusing on the choreographic devices used in the creation of dances:

1. Abstraction:

   • Definition: Abstraction in dance refers to the process of distilling movement to its essential elements, often removing specific details to convey a broader idea or emotion.
   • Example: Choreographers may abstract a simple gesture like a wave into a more generalized and expressive arm movement.

2. Canon:

   See Also

   Dance - Choreography, Movement, Expression
   • Definition: Canon involves the repetition of a movement phrase by different dancers, creating a layered effect as each performer begins the sequence at a set time.
   • Example: In a canon, dancer A might start a sequence, followed by dancer B starting the same sequence after a specific time interval.

3. Motif:

   • Definition: A motif is a recurring movement or theme that serves as a unifying element in a dance piece.
   • Example: A choreographer might establish a motif of reaching upward, which is repeated throughout the dance to create coherence.

4. Contrast:

   • Definition: Contrast involves juxtaposing different movements, dynamics, or qualities to create variety and highlight differences.
   • Example: A dance may contrast slow, flowing movements with quick, sharp gestures to evoke a sense of dynamic range.

5. Accumulation:

   • Definition: Accumulation is the gradual building up of movements, where each new element is added to the existing sequence.
   • Example: A dancer might start with a basic step, adding a new movement with each repetition until a complex sequence is formed.

6. Repetition:

   • Definition: Repetition involves the recurrence of a specific movement or sequence within a dance, emphasizing its significance.
   • Example: Repeating a particular jump or gesture throughout a dance routine can create a rhythmic or thematic motif.

7. Reversal:

   • Definition: Reversal involves performing a movement or sequence in the opposite order or direction.
   • Example: After performing a sequence forward, a dancer might execute the same sequence backward.

8. Retrograde:

   • Definition: Retrograde is the reverse playback of a movement or sequence, creating a mirrored effect.
   • Example: A choreographer may choose to have dancers perform a phrase of movement backward for a specific artistic effect.

9. Inversion:

   • Definition: Inversion involves turning a movement or sequence upside down, altering its orientation.
   • Example: Flipping a jumping sequence so that the movements are performed inverted can add a unique visual element to the dance.

10. Fragmentation:

    • Definition: Fragmentation is the breaking down of a movement or sequence into smaller parts or fragments.
    • Example: Taking a full-body movement and isolating specific body parts, such as just the arms or legs, can be a form of fragmentation.

11. Embellishment:

    • Definition: Embellishment involves adding decorative or ornamental elements to movements, enhancing their expressiveness.
    • Example: Dancers may embellish a basic step by adding extra arm movements, turns, or intricate footwork for added flair.

These choreographic devices collectively form the toolkit that choreographers leverage to craft compelling and expressive dance pieces, showcasing the rich and diverse possibilities within the realm of dance composition.