What is komedya Sarsuela and bodabil?
KOMEDYA. SARSUELA. BODABIL Stage shoe that became popular during the Japanese period based on the French vaudeville.
Origins. At around the beginning of the American occupation of the Philippines at the turn of the 20th century, stage entertainment in the Philippines was dominated by the Spanish-influenced komedya and the newly emergent zarzuela (or "sarswela").
The komedya is a play written in verse (usually octosyllabic or dodecasyllabic quatrains), which uses conventions of the marcha for exits and entrances, batalla or choreographed fighting, and magia or magical effects.
Based on the French vaudeville, bodabil was a stage presentation featuring various forms: musical, comedy, and even magic acts, skits, monologues, and acrobatics, among others. Vaudeville acts were first introduced to the Philippines during the American occupation and were performed by visiting troupes.
Terms in this set (15) Komedya. Is a colorful theatrical tradition with plots that revolve around social, political and religious themes between the Christians(Catholics) and the Muslims.
Tibag or arakya is a popular secular komedya which is featured during the annual Santacruzan. The story evolves on the search for the Holy Cross by Queen Elena and her son, Emoperor Constantino. The Religious Komedya is also called Komedya de Santo centers on the life of Christ or of any saint.
A PLAY that empowers the appreciation of Filipino culture and values, and is packaged in a comical and musical style are what define the zarzuela. The zarzuela is a beautiful art form of lyric theater drama incorporated with singing, dancing and dialogue.
Based on the French vaudeville, Bodabil was a stage presentation featuring various forms: musical, comedy and even magic acts, skits, monologues and acrobatics, among others. Vaudeville acts were first introduced to the Philippines during the American occupation and were performed by visiting troupes.
Sarswela is the national theater genre of the Philippines. After a long, complicated history, Filipino sarsuwela became a unique style of musical theater that delved into the political struggles of the past in search for a better future.
The komedya was brought by the Spaniards when they came to colonize the country in the 16th century, tracing its origins from Spanish and Mexican theatrical forms.
What is theme of komedya?
The komedya otherwise known as moro-moro or pretending to be Moors, is a traditional Filipino play in the vernacular adapted from the Spanish comedia de capa y espada. It was used by Spanish colonizers in the Philippines, circa 1766 to evangelize and strengthen the faith of Indios or Filipino natives to Christianity.
Another theatrical drama which history dates back during the Spanish times. The theme centers on the animosity between Christians & Muslims in the beginning, and unity & brotherhood in the end.
Komedya It is a theatrical tradition by Filipinos sometimes in a form of singing. It describes conflicts between Christians and Muslims. It was used by the Spanish to promote Christianity in the Philippines.
The songs and dances of the bodabil used to fill in the gaps between short Zarzuela or between the acts of long ones. In some provinces, these intermissions were called "jamboree", the term used for opening musical performances of stage shows. During the Japanese occupation, they were called "stage shows".
The zarzuela genre was innovative in giving a dramatic function to the musical numbers, which were integrated into the plot of the work. Dances and choruses were incorporated as well as solo and ensemble numbers, all to orchestral accompaniment.
While the music of a traditional komedya was performed by a brass band, Carol Bello's music was rendered by a live orchestra using indigenous instruments such as djembe drums, kulintang (gong chime), and kubing (Jew's harp), as well as electric guitars and keyboards.
Moro-moro, or comedia, a folk drama based on the battles between Christians and the Muslim Moros in the Philippines. Courtesy of Philippine Embassy. In 1637 a play was written to dramatize a Christian Filipino army's recent capture of an Islamic stronghold.
The bodabil is not a straight-up play. The theatrical performance is, in fact, a mix of songs, dances, comedy skits, and even magical performances. Local audiences bought-in and productions soon found themselves becoming entertainment spectacles that can be transported from one town to the next.
The term moro-moro refers to a type of folk drama performed in villages throughout the Philippines, usually during fiestas. Although each village's moro-moro is a little different in terms of treatment, all are full of romance and melodrama, and the highpoint is always a battle between Muslims and Christians.
Religious Komedya - mostly performed to enhance religious festivities. It focuses on the life of religious icons.
What is the importance of zarzuela?
The zarzuelas parodias were important because they created a space for Spanish musical theatre to subvert the dominance of Italian opera on the lyric stages of Spain. In 1851 Spanish musical theatre entered a new era, marked by two significant events.
Zarzuela, often defined as Spanish opera, is a theatrical play that contains musical acts. Characters usually represent the working classes: chulos (men wearing peculiar clothes and making extravagant gestures), ratas (thieves), nannies, policemen…
Zarzuela originated in Spain in the 17th century but reached its definitive form in the 19th century as a mixture of instrumental music, singing, dancing and the spoken word that encompassed the rhythms and traditions of the diverse cultures of Spain.
Honorata de la Rama-Hernandez (January 11, 1902 – July 11, 1991), commonly known as Atang de la Rama, was a singer and bodabil performer who became the first Filipina film actress. Atang de la Rama was born in Pandacan, Manila on January 11, 1902.
The zarzuela was introduced in the Philippines in the 19th century by Spanish director Alejandro Cubero. Soon, zarzuela became known in the Philippines as sarsuwela. It was later on adapted in the vernacular.
The komedya is a play in verse, usually about royal characters from imaginary European kingdoms, utilizing marches, swordfights, magical and fantastical elements as part of the spectacle. Traditionally, the subject of the komedya is the war between Christians and Moslems, or the love affair of princes and princesses.
Back then, performers of comedia were the celebrities of the time. They were the KathNiels or the JaDines or LizKen of the colonial eras or the likes of Katy Perry or Lady Gaga or Calum Scott performing concerts in the nation's biggest cities – Manila, Cebu, Angeles, and Davao.
This type of Komedya is usually performed in local fiestas. Examples of Secular Komedya. This type of Komedya includes the Senakulo and Siete Palabras. A secular Komedya which is celebrated during the Santacruzan.
- STAGE.
- MUSIC.
- Balse/Waltz. -it is an Austrian dance in triple time signiture.
- Danza. - A dance form in duple meter.
- Kundiman. - A lyrical song which is in triple time with different melody, the lyrics express a romantic love.
- Habanera. -A kind of music in duple time.
- Character.
- Kumintang.
What is komedya or Moro-Moro?
Moro-moro, or comedia, a folk drama based on the battles between Christians and the Muslim Moros in the Philippines. Courtesy of Philippine Embassy. In 1637 a play was written to dramatize a Christian Filipino army's recent capture of an Islamic stronghold.
Sarswela is the national theater genre of the Philippines. After a long, complicated history, Filipino sarsuwela became a unique style of musical theater that delved into the political struggles of the past in search for a better future.
A PLAY that empowers the appreciation of Filipino culture and values, and is packaged in a comical and musical style are what define the zarzuela. The zarzuela is a beautiful art form of lyric theater drama incorporated with singing, dancing and dialogue.
The term moro-moro refers to a type of folk drama performed in villages throughout the Philippines, usually during fiestas. Although each village's moro-moro is a little different in terms of treatment, all are full of romance and melodrama, and the highpoint is always a battle between Muslims and Christians.
One form influenced by Spain is called komedya which varies between two themes: the secular and the religious.
The Bangsamoro 'moro' people are the native Muslim inhabitants of the Philippines. They are the descendants of the early Malay, Arab and Indian migrants into the Philippine archipelago from as early as the 14th century. The Moro people formed their own ethnic group in southwestern Mindanao, Sulu islands and Palawan.
The komedya was brought by the Spaniards when they came to colonize the country in the 16th century, tracing its origins from Spanish and Mexican theatrical forms.
The zarzuela genre was innovative in giving a dramatic function to the musical numbers, which were integrated into the plot of the work. Dances and choruses were incorporated as well as solo and ensemble numbers, all to orchestral accompaniment.
Zarzuela originated in Spain in the 17th century but reached its definitive form in the 19th century as a mixture of instrumental music, singing, dancing and the spoken word that encompassed the rhythms and traditions of the diverse cultures of Spain.
Jugar Con Fuego by Francisco Asenjo Barbieri was the first zarzuela introduced in the country in late 1878 or early 1879. By August 17, 1893, Teatro Zorilla, the home of zarzuela, was inaugurated.
What is the importance of zarzuela?
The zarzuelas parodias were important because they created a space for Spanish musical theatre to subvert the dominance of Italian opera on the lyric stages of Spain. In 1851 Spanish musical theatre entered a new era, marked by two significant events.
Zarzuela, often defined as Spanish opera, is a theatrical play that contains musical acts. Characters usually represent the working classes: chulos (men wearing peculiar clothes and making extravagant gestures), ratas (thieves), nannies, policemen…
The songs and dances of the bodabil used to fill in the gaps between short Zarzuela or between the acts of long ones. In some provinces, these intermissions were called "jamboree", the term used for opening musical performances of stage shows. During the Japanese occupation, they were called "stage shows".
