5 Short Tips on Shooting Better Portraits with a 35mm Lens (2024)

The 35mm lens is a versatile option for many, and shooting portraits of people with it can be really simple.

For many years, a 35mm lens wasn’t considered a viable option for shooting portraits–and depending on who you ask it still isn’t a good option. It doesn’t mean that it can’t be done, it just means that it’s much more difficult to do effectively vs other options that are longer on the market. But the 35mm lens has become standard in the way that many photographers see the world. In turn, they want to capture the world just as how they see it. For portraiture, we’re going to give you some bite sized creative tips on how to make the most of a 35mm lens.

The Distance From Your Subject

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First off, don’t get up close and personal to your subject as the 35mm lens will make whatever is closest to the camera really big. Instead, always try to shoot portraits with a 35mm lens getting around half of the person’s body in the frame. Obviously, you can go for more, but if you’re trying to shoot a tight headshot then you’re going to be very disappointed with the results–and so will they.

When you frame your photo, keep a distance so that at least half of the person is in the image.

Avoid the Edges, Focus on the Center

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Modern 35mm lenses are very good–but even their corners still have distortion. It isn’t anywhere as bad as it used to be, but in my eyes and testing there still is absolutely no 35mm lens that has perfect corners. These corners can cause weird effects and warping. For that reason, I strongly recommend keeping your subject closer towards the center of the frame. If anything, try to leave them out of the outer quarter of the frame. Of course, if you’re okay with how they look in the outer quarter, then roll with it. But generally speaking, this rule works very well.

Keep in Mind Perspective/Proximity Distortion

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Remember that when you shoot with a 35mm lens that whatever is closest to the frame will be distorted. In some cases, that’s okay and it can be rather acceptable. Depending on who you ask about the image above, the distortion of the subject’s arm is either perfectly fine/there is none, or there is some and it’s unflattering. All of this has to do with posing.

Use Flattering Light

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Though this goes without saying, flattering lighting can be a relative term. Flattering lighting on one person can mean little to no shadows while on another person, the shadows can actually look very good. This is all based on their shape. If someone has a rounder chin for example, then they’ll need less shadows. If someone has a more edgy chin, then shadows can look better.

5 Short Tips on Shooting Better Portraits with a 35mm Lens (5)

If you’re using natural light, it’s generally a great idea to backlight a subject too. Give that a shot and make sure that the colors that they’re wearing stand out against everything else.

Remember That a 35mm is a 35mm is a 35mm

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No matter what, a 35mm lens is a 35mm lens. If you put it on an APS-C camera, it’s still going to act like a 35mm lens though you’re just seeing the center of the frame. So even though the crop is tighter, the lens is still going to render images in the same way. Want something with less distortion? Go to a longer focal length.

5 Short Tips on Shooting Better Portraits with a 35mm Lens (2024)

FAQs

5 Short Tips on Shooting Better Portraits with a 35mm Lens? ›

The 35mm lens is extremely versatile. The 35mm is a lens that allows you to capture many different types of camera shots and angles. It's wide enough to capture background elements, but close enough to shoot more intimate shots like coverage and portraits.

Is 35 mm lens good for portraits? ›

The 35mm lens is extremely versatile. The 35mm is a lens that allows you to capture many different types of camera shots and angles. It's wide enough to capture background elements, but close enough to shoot more intimate shots like coverage and portraits.

What is the best distance to shoot with a 35mm lens? ›

When shooting horizontally: If you want to fill the frame with your subject's waist up to their head, shoot with a 35mm lens, at 1.2 meters (about 2 arm lengths away, or 4 feet away). If you want a shot of just their face with a 35mm when shooting horizontally, shoot at . 7 meters.

What lens is best for a 35mm film portrait? ›

50mm lens for portraits

It's the most popular focal length in portrait photography. This is the standard focal length in full-frame cameras and 35mm film cameras. It's the one that captures things as the human eye sees them. That's why it's the perfect lens for shooting portraits.

What are the pros of a 35mm lens? ›

35mm prime lenses are popular picks for filmmakers, often for many of the same reasons they are loved by photographers. The natural framing, great balance between the focal point and background separation and the overall versatility of the 35mm focal length are just some of the reasons why this lens is so great.

What is the best setting for a 35mm camera? ›

With automatic/electronic cameras, set the mode to SHUTTER PRIORITY initally and set the shutter speed to 1/90 or 1/125. With an electronic camera you can use 1/180 second (see below) 1/125 second or 1/90 second. In shutter priority, the F stop setting may blink if the light is too low to adequately expose the film.

What are the disadvantages of a 35mm lens? ›

Cons of a 35mm Lens
  • The wide field of view can lead to potential distortion, especially around the edges of the frame.
  • This lens is not typically ideal for portraits as it doesn't isolate the subject as well as longer lenses.
Sep 3, 2020

How do you take good portraits with a 35mm lens? ›

The Distance From Your Subject

First off, don't get up close and personal to your subject as the 35mm lens will make whatever is closest to the camera really big. Instead, always try to shoot portraits with a 35mm lens getting around half of the person's body in the frame.

What is the best aperture for portraits? ›

The best aperture for portraits to use are the following:
  • f/8 or more for large group portraits.
  • f/4 for small group portraits.
  • f/2-f/3.2 for portraits with a couple.
  • f/2-f/2.8 for portraits of one person.
Mar 24, 2022

What is the most flattering lens for portraits? ›

85mm Prime Lens

A majority of portrait photographers would agree that this is one of the best lenses for portraits, especially the f/1.8 lens. This option is available for most camera brands, including Nikon, Sony, and other mirrorless cameras.

Why does 35mm look better than digital? ›

Film is meant to be shot in natural light, and that's where it thrives. It is much more forgiving when it comes to overexposure, and it doesn't blow out highlights as easily as digital cameras. This is especially helpful when I'm using the brightest thing in our solar system as a hair light.

Does a 35mm lens distort? ›

“Remember that when you shoot with a 35mm lens, whatever is closest to the frame will be distorted. In some cases, that's okay and it can be rather acceptable.

What is the focal distance of a 35mm lens? ›

A 'normal lens' (has a field of view that appears 'natural' to humans) on a 35mm film camera has a focal length of 50mm.

Is 35mm or 50mm closer to human eye? ›

Understanding Human Field of View

We often hear that a 50mm lens on a full frame camera is the closest to the human field of view. We call the 50mm a standard lens because the focal length is equal to the diagonal size of its sensor.

Is 35mm or 50mm better for close up? ›

Greater depth of field

For this reason, the 35mm lens gives you a greater chance of capturing a sharp subject, which can sometimes be a challenge if they're moving quickly or unpredictably. If you plan on being close to your subject, it's simply going to give you far more keepers.

Is 35mm good for street? ›

While the 35mm is great for full-length street portraits where you want to show a lot of background, a 50mm will focus the scene right in on your subject and the most important background details. It allows you to highlight their expressions and personality by getting in close to what really matters.

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